unknown

12.0-24.0_mm_f/4.0>12_mm>¹⁄₂₀_sec_at_ƒ_/_4.0>ISO_200
12-24@12 | 1/20s | f/4 | iso200
|

copper

18-200@200|1/125s|f5.6|iso200
18-200@200 | 1/125s | f/5.6 | iso200
|

E

12.0-24.0_mm_f/4.0>12_mm>¹⁄₁₅_sec_at_ƒ_/_5.6>ISO_100
12-24@12 | 1/15s | f/5.6 | iso100
|

near the Barbican

18-200@18|1/60s|f3.5|iso100
18-200@18 | 1/60s | f/3.5 | iso100
|

Special vintage treatment

28.0-70.0_mm_f/2.8>48_mm>¹⁄₃₀_sec_at_ƒ_/_2.8>ISO_100
28-70@48 | 1/30s | f/2.8 | iso100
|

Entrance

12.0-24.0_mm_f/4.0>24_mm>¹⁄₃₀_sec_at_ƒ_/_5.0>ISO_200
12-24@24 | 1/30s | f/5 | iso200
|

Clouds and the City II

28.0-70.0_mm_f/2.8>42_mm>¹⁄₆₀_sec_at_ƒ_/_7.1>ISO_100
28-70@42 | 1/60s | f/7.1 | iso100
|

Austin Cooper S '64 Harold Radford

70.0-200.0_mm_f/2.8>110_mm>¹⁄₂₅₀_sec_at_ƒ_/_22>ISO_100
70-200@110 | 1/250s | f/22 | iso100
|

TVR: covered muscles

12-24@13|1/80s|f4|iso100
12-24@13 | 1/80s | f/4 | iso100
|

Eurostar trolleys

12-24@12|1/20s|f5.6|iso100
12-24@12 | 1/20s | f5.6 | iso100
|

White tree

reaching
28-70@31 | 30s | f5.6 | iso100
|

Not so scary near the light

two
28-70@28 | 1.8s | f4.0 | iso100
|
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