misc

12.0-24.0_mm_f/4.0>12_mm>¹⁄₄₀_sec_at_ƒ_/_5.6>ISO_100
12-24@12 | 1/8s | f/5 | iso200
|

alittlepsychodelicdoor

28.0-105.0_mm_f/3.5-4.5>50_mm>¹⁄₂₀₀_sec_at_ƒ_/_8.0>ISO_100
28-105@50 | 1/200s | f/8 | iso100
|

Do not

28.0-105.0_mm_f/3.5-4.5>75_mm>¹⁄₄₀_sec_at_ƒ_/_4.5>ISO_200
28-105@75 | 1/40s | f/4.5 | iso200
|

Night flight

12.0-24.0_mm_f/4.0>12_mm>⅛_sec_at_ƒ_/_5.0>ISO_200
12-24@12 | 1/8s | f/5 | iso200
|

Men at work

12.0-24.0_mm_f/4.0>24_mm>¹⁄₈₀_sec_at_ƒ_/_5.0>ISO_100
12-24@24 | 1/80s | f/5 | iso100
|

Two houses, three homes

28.0-105.0_mm_f/3.5-4.5>35_mm>¹⁄₄₀₀_sec_at_ƒ_/_8.0>ISO_100
28-105@35 | 1/400s | f/8 | iso100
|

Cyclists're welcome!

28.0-105.0_mm_f/3.5-4.5>38_mm>¹⁄₉₀_sec_at_ƒ_/_8.0>ISO_100
28-105@38 | 1/90s | f/8 | iso100
|

Reflet de soleil (at the Trinity College of Music, Greenwich)

12.0-24.0_mm_f/4.0>12_mm>¹⁄₂₅₀_sec_at_ƒ_/_5.6>ISO_100
12-24@12 | 1/60s | f/5.6 | iso100
|

Fire Exit II

12.0-24.0_mm_f/4.0>12_mm>¹⁄₁₀_sec_at_ƒ_/_5.6>ISO_100
12-24@12 | 1/60s | f/5.6 | iso100
|

Fire Exit I

12.0-24.0_mm_f/4.0>12_mm>¹⁄₆₀_sec_at_ƒ_/_5.6>ISO_100
12-24@12 | 1/60s | f/5.6 | iso100
|

Hiding somewhere the last 26 days...

well
18-200@200 | 1/80s | f/5.6 | iso400
|

copper

18-200@200|1/125s|f5.6|iso200
18-200@200 | 1/125s | f/5.6 | iso200
|

near the Barbican

18-200@18|1/60s|f3.5|iso100
18-200@18 | 1/60s | f/3.5 | iso100
|

TVR: covered muscles

12-24@13|1/80s|f4|iso100
12-24@13 | 1/80s | f/4 | iso100
|

Eurostar trolleys

12-24@12|1/20s|f5.6|iso100
12-24@12 | 1/20s | f5.6 | iso100
|

Upper world

lotofsteel
12-24@14 | 1/320s | f5 | iso100
|

entrance?exit

entrance?exit
12-24@12 | 1/20s | f5.6 | iso100
|

Little londoner

sq
18-200@200 | 1/60s | f5.6 | iso100
|

Seriously.

london_postcards_colour-50
12-24@24 | 1/60s | f6.3 | iso100

View all colours of London.
bar_spaces
|

Pier, Greenwich power station

london_postcards_b&w-45
12-24@12 | 1/500s | f5 | iso100

London in black and white... Lines, textures and moods...
bar
|

The new skirt

18.0-200.0_mm_f/3.5-5.6>40_mm>¹⁄₁₀₀_sec_at_ƒ_/_5.0>ISO_200
18-200@40 | 1/100s | f/5 | iso200
|
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